<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>
var gaJsHost = (("https:" == document.location.protocol) ? "https://ssl." : "http://www.");
document.write(unescape("%3Cscript src='" + gaJsHost + "google-analytics.com/ga.js' type='text/javascript'%3E%3C/script%3E"));

try {
var pageTracker = _gat._getTracker("UA-7494145-7");
pageTracker._trackPageview();
} catch(err) {}</description><title>CONVEXITY</title><generator>Tumblr (3.0; @convexity)</generator><link>http://convexity.tumblr.com/</link><item><title>"The Ravenswood Granodiorite" by  Victor Ziegler</title><description>&lt;p&gt;&lt;a href="http://books.google.com/books?id=biveHHmXOt0C&amp;amp;vq=Ravenswood&amp;amp;pg=PP3&amp;amp;ci=25%2C2%2C953%2C1466&amp;amp;source=bookclip" target="_blank"&gt;&lt;img src="http://books.google.com/books?id=biveHHmXOt0C&amp;amp;pg=PP3&amp;amp;img=1&amp;amp;zoom=3&amp;amp;hl=en&amp;amp;sig=ACfU3U2_qaHyAr_EErbs3cmCugvK775fRA&amp;amp;ci=25%2C2%2C953%2C1466&amp;amp;edge=0"/&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://books.google.com/books?id=biveHHmXOt0C&amp;amp;vq=Ravenswood&amp;amp;pg=PA276&amp;amp;ci=3%2C3%2C984%2C1486&amp;amp;source=bookclip" target="_blank"&gt;&lt;img src="http://books.google.com/books?id=biveHHmXOt0C&amp;amp;pg=PA276&amp;amp;img=1&amp;amp;zoom=3&amp;amp;hl=en&amp;amp;sig=ACfU3U0LkOyQ73BM2gjDlPuMKDuj79eqIQ&amp;amp;ci=3%2C3%2C984%2C1486&amp;amp;edge=0"/&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/7280080770</link><guid>http://convexity.tumblr.com/post/7280080770</guid><pubDate>Tue, 05 Jul 2011 19:03:00 -0400</pubDate></item><item><title>Article by Frederick Kaufman in Lapham's Quartlery's "City" edition</title><description>&lt;p&gt;&lt;img src="http://www.laphamsquarterly.org/assets_c/2010/09/kauffman490x300-thumb-490x300-1576.jpg" align="center"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;
&lt;h2 class="subhead"&gt;2008 / New York City&lt;/h2&gt;
&lt;h1 class="headline"&gt;Waste Management&lt;/h1&gt;
&lt;dl id="article-tags"&gt;&lt;dt&gt;TAGS:&lt;/dt&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;dd&gt;&lt;a href="http://www.laphamsquarterly.org/search.php?IncludeBlogs=1,2&amp;amp;limit=20&amp;amp;tag=disease" target="_blank"&gt;disease&lt;/a&gt;,&lt;/dd&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;dd&gt;&lt;a href="http://www.laphamsquarterly.org/search.php?IncludeBlogs=1,2&amp;amp;limit=20&amp;amp;tag=garbage" target="_blank"&gt;garbage&lt;/a&gt;,&lt;/dd&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;dd&gt;&lt;a href="http://www.laphamsquarterly.org/search.php?IncludeBlogs=1,2&amp;amp;limit=20&amp;amp;tag=journalism" target="_blank"&gt;journalism&lt;/a&gt;,&lt;/dd&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;dd&gt;&lt;a href="http://www.laphamsquarterly.org/search.php?IncludeBlogs=1,2&amp;amp;limit=20&amp;amp;tag=New%20York" target="_blank"&gt;New York&lt;/a&gt;,&lt;/dd&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;dd&gt;&lt;a href="http://www.laphamsquarterly.org/search.php?IncludeBlogs=1,2&amp;amp;limit=20&amp;amp;tag=parasites" target="_blank"&gt;parasites&lt;/a&gt;,&lt;/dd&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;dd&gt;&lt;a href="http://www.laphamsquarterly.org/search.php?IncludeBlogs=1,2&amp;amp;limit=20&amp;amp;tag=science" target="_blank"&gt;science&lt;/a&gt;&lt;/dd&gt;
&lt;p&gt;&amp;#8220;The first regulations with respect to waste go back to the code of Hammurabi,” said Steve Askew, superintendent of New York’s North River Wastewater Treatment Plant, one of the world’s largest. “You have to bury your waste far from where you sleep.” And he gave me the look. Steve Askew never finished college, but that look had seen to the bottom of things. It was both spooky and intimidating, that particular look of pity and loathing the wise bestow upon the ignorant. He knew something I wanted to know: the ultimate fate of our waste.&amp;#8221;&lt;/p&gt;
&lt;p&gt;Click &lt;a href="http://www.laphamsquarterly.org/voices-in-time/waste-management.php?page=all" target="_blank"&gt;here&lt;/a&gt; to read the full text.&lt;/p&gt;
&lt;/dl&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/3765954207</link><guid>http://convexity.tumblr.com/post/3765954207</guid><pubDate>Thu, 10 Mar 2011 12:43:51 -0500</pubDate></item><item><title>Lufthansa Searches for Savor in the Sky - WSJ.com</title><description>&lt;a href="http://online.wsj.com/article/SB10001424052748703294904575384954227906006.html?KEYWORDS=Test+Flight%3A+&amp;goback=%2Egde_49354_member_25842354"&gt;Lufthansa Searches for Savor in the Sky - WSJ.com&lt;/a&gt;: &lt;p&gt;“Mr. Mayer noted that one slight consolation for people crowded into coach is that all those other passengers emit lots of moisture, which keeps cabin humidity at around 15%. In sumptuous first-class cabins, humidity can plunge to 5%, sapping the bouquet from champagne and caviar.”&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/875623081</link><guid>http://convexity.tumblr.com/post/875623081</guid><pubDate>Thu, 29 Jul 2010 12:05:06 -0400</pubDate></item><item><title>The Scent of Design </title><description>&lt;a href="http://seedmagazine.com/slideshow/the_scent_of_design/"&gt;The Scent of Design &lt;/a&gt;: &lt;p&gt;&lt;p class="byline"&gt;By &lt;strong&gt;Amelia Black&lt;/strong&gt; / April 29, 2010&lt;/p&gt;
&lt;p class="longIntro"&gt;A designer who creates objects and spaces engages our sensations of touch, sight, and sometimes hearing. But what of our noses? Despite olfaction’s unmatched ability to evince memories and emotions—two essential objectives of design—smell is a relatively untapped medium in design practice. Combining scents with design was the challenge put to five designers, deemed “accidental perfumers,” by the organizers of &lt;a href="http://www.headspace2010.com/" target="_blank"&gt;HEADSPACE: On Scent as Design&lt;/a&gt; a symposium recently held in New York through the joint collaboration of Seed, Parsons the New School for Design, MoMA, International Flavors &amp; Fragrances, and Coty. Selected for their diverse approaches to design, each “accidental perfumer” was paired with two professional perfumers from IFF and commissioned to explore how evanescent chemistries, when translated into smell, shape our experience of space and time. Though the participants chose to take their projects in radically different directions, they all came to the same conclusion: This is only the beginning. Many of the works you’ll see in this slideshow represent just the starting point for what promises to be a fruitful merger of olfaction and design.&lt;/p&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/568269702</link><guid>http://convexity.tumblr.com/post/568269702</guid><pubDate>Mon, 03 May 2010 10:19:13 -0400</pubDate></item><item><title>Gowanus Canal in Brooklyn Is Given Superfund Status - NYTimes.com [article] </title><description>&lt;a href="http://www.nytimes.com/2010/03/03/nyregion/03gowanus.html"&gt;Gowanus Canal in Brooklyn Is Given Superfund Status - NYTimes.com [article] &lt;/a&gt;: &lt;p&gt;“The federal &lt;a title="More articles about the Environmental Protection Agency." href="http://topics.nytimes.com/top/reference/timestopics/organizations/e/environmental_protection_agency/index.html?inline=nyt-org" target="_blank"&gt;Environmental Protection Agency&lt;/a&gt; announced Tuesday that it was designating &lt;a title="E.P.A. background on canal." href="http://www.epa.gov/region02/superfund/npl/gowanus/" target="_blank"&gt;the Gowanus Canal&lt;/a&gt; in Brooklyn a contaminated &lt;a title="Fact sheet on Superfund program." href="http://www.epa.gov/superfund/" target="_blank"&gt;Superfund&lt;/a&gt; site, paving the way for a cleanup of the decades of pollution there.”&lt;/p&gt;
&lt;p&gt;&lt;img src="http://graphics8.nytimes.com/images/2010/03/03/nyregion/03gowanusspan-cnd/03gowanusspan-cnd-articleLarge.jpg" height="331" width="600"/&gt;&lt;/p&gt;
&lt;p&gt;More coverage on &lt;a href="http://curbed.com/tags/gowanus-canal" target="_blank"&gt;Curbed.com&lt;/a&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/422321925</link><guid>http://convexity.tumblr.com/post/422321925</guid><pubDate>Tue, 02 Mar 2010 12:40:41 -0500</pubDate></item><item><title>via www.finalfrontiertoys.com
The musk of marvel comics action...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_kxn6e4sKxL1qzy3bco1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;via &lt;a href="http://www.finalfrontiertoys.com/_AFA/motu_stinkor_f.jpg" target="_blank"&gt;&lt;a href="http://www.finalfrontiertoys.com" target="_blank"&gt;www.finalfrontiertoys.com&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The musk of marvel comics action figure, Stinkor, as described in a post on &lt;a&gt;Basenotes&lt;/a&gt; blog. The doll feature a scratch’n’sniff pad that releases a musky odor as the are interacted with and come packaged with a booklet aptly entitled “The Stench of Evil”. I wonder if children who played with Stinkor have stronger memories of this particular doll than his unscented colleagues?&lt;/p&gt;
&lt;p&gt;The larger question of the article raises the potential carnal delight in musky smells after a long period of clean/fresh scents in the nineties marketplace. And begs the question, after the 20th century modernist’s banishing of smell from design and the individual… is body odor back?&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/382298139</link><guid>http://convexity.tumblr.com/post/382298139</guid><pubDate>Wed, 10 Feb 2010 15:03:39 -0500</pubDate></item><item><title>iA » Kenya Hara On Japanese Aesthetics</title><description>&lt;a href="http://informationarchitects.jp/kenya-hara-on-japanese-aesthetics/"&gt;iA » Kenya Hara On Japanese Aesthetics&lt;/a&gt;: &lt;p&gt;&lt;img src="http://informationarchitects.jp/wp-content/uploads/2009/10/2.YANAGIBA_knifes.jpg" width="400"/&gt;&lt;/p&gt;
&lt;p&gt;The full text from an interview with Kenya Hara that was published last October in the New York Times around the question of Japanese national design aesthetic and how this ‘craftsman’s spirit’ is mirrored in the traditional Bento box-lunch. (via &lt;a href="http://informationarchitects.jp/kenya-hara-on-japanese-aesthetics/" target="_blank"&gt;AI&lt;/a&gt;)&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/368900516</link><guid>http://convexity.tumblr.com/post/368900516</guid><pubDate>Wed, 03 Feb 2010 10:51:26 -0500</pubDate></item><item><title>[exhibition] Philagrafika2010 - The Print Center, Philadelphia</title><description>&lt;a href="http://www.printcenter.org/pc_exhibition.html"&gt;[exhibition] Philagrafika2010 - The Print Center, Philadelphia&lt;/a&gt;: &lt;p&gt;&lt;img src="http://www.printcenter.org/images/exhibitions/2010/PGKA-TGU_orange-gray_tagline_md.jpg"/&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/352831847</link><guid>http://convexity.tumblr.com/post/352831847</guid><pubDate>Mon, 25 Jan 2010 12:29:43 -0500</pubDate></item><item><title>"Casting Identities in Light" by Phil Patton on NYTimes.com</title><description>&lt;a href="http://www.nytimes.com/2010/01/10/automobiles/10LIGHT.html?hpw"&gt;"Casting Identities in Light" by Phil Patton on NYTimes.com&lt;/a&gt;: &lt;p&gt;&lt;img src="http://graphics8.nytimes.com/images/2010/01/10/automobiles/10light-inline2/articleInline.jpg" height="443" width="190"/&gt;&lt;img src="http://graphics8.nytimes.com/images/2010/01/10/automobiles/10light-inline1/articleInline.jpg"/&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/329251264</link><guid>http://convexity.tumblr.com/post/329251264</guid><pubDate>Mon, 11 Jan 2010 16:25:28 -0500</pubDate></item><item><title>Louise Fili’s protege: jessicahische.com</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_kvwgptt8nK1qzy3bco1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Louise Fili’s protege: &lt;a href="http://jessicahische.com" target="_blank"&gt;jessicahische.com&lt;/a&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/322234858</link><guid>http://convexity.tumblr.com/post/322234858</guid><pubDate>Thu, 07 Jan 2010 18:17:53 -0500</pubDate></item><item><title>Madeline Albright being interviewed about her collection of...</title><description>&lt;iframe width="400" height="323" src="http://www.youtube.com/embed/IU2vfpgTXjM?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Madeline Albright being interviewed about her collection of pins, ie “talking pins.”&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://collections.madmuseum.org/html/exhibitions/498.html" target="_blank"&gt;MAD&lt;/a&gt;)&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/309146510</link><guid>http://convexity.tumblr.com/post/309146510</guid><pubDate>Thu, 31 Dec 2009 00:14:46 -0500</pubDate></item><item><title>[Review] Metropolis Magazine's design research film Brilliant Simplicity is a sophomoric effort on the part of some very engaged design editors who seem to be bored with the printed page.</title><description>&lt;p&gt;&lt;img src="http://2.bp.blogspot.com/_dLo-16CSAxs/SMBLQ4qAPZI/AAAAAAAABOQ/pVmb6Q5av4Q/s1600/header2.jpg" height="260" width="550"/&gt;&lt;/p&gt;
&lt;p&gt;The film is a comprised of interviews with 15 designers/educators whose collaborative projects with student design teams at various (mostly architecture) schools won recognition in Metropolis Magazine’s &lt;i&gt;Next Generation&lt;/i&gt; design awards. Conversation footage is mixed with panning shots of still images, and while many interesting things come up during the film - an overall narrative structure is lacking and makes the effective retention of useful information problematic. The experience of watching &lt;i&gt;Brilliant Simplicity&lt;/i&gt; is a bit like watching the pages of a magazine being flipped too fast - you get a title, a subtitle and a few block quotes to go with the glossy images, but aren&amp;#8217;t able to absorb any of the information that makes the story relevant to a reader. Curious for a project centered around the concept of design research.&lt;/p&gt;
&lt;p&gt;While so many of us have been bemoaning the supposed death of print, it seems Susan S. Szenasy (editor in chief of Metropolis Magazine) has become frustrated by the restrictions of her graphic page layout and has begun to explore the realm of the moving image as a means to share ideas, &amp;#8220;bring to life&amp;#8221; design and push the boundaries of design graphics without pushing the limits of her budget. Szenasy is very excited about this development, and who can blame her, the rest of the online community has taken to the moving image in a big way. However the proliferation of the digital video format has meant that the bar has been raised, as viewers we expect beautiful cinemagraphics from the DIY production team, we demand a clear and informative narrative arc and the production quality is important. In short, our digital expectations have evolved a lot in the ten years since the &lt;i&gt;Blair Witch Project&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;The territory of the moving idea has huge potential as a medium for design thinkers trying to communicate the importance of their practice in a climate where foundational publications, such as ID Magazine, are crumbling. We as a profession seem to not be capable of expressing what we love about design - instead we deal in a shallow transaction of consumer trend and capitalistic aesthetics of mass. Digital is low cost, provides a digestible and common language through which ideas can be put forward in clear and meaningful ways. If we want a dialogue that goes beyond the latest trendy over priced (and advertizing supported) coffee table book, we as a community are going to need to learn to step-it-up on the quality. Didn’t we learn our lesson with the blogosphere?&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Brilliant Simplicity&lt;/i&gt; could have been a tool to explore the value of research in design, but it stops short in the realm of teaser… too shallow for the practitioner to get much use from the information and too convoluted for the average viewer to come away with coherent understanding of what research means in design today. Yes, we understand that sustainability is good and that technology is here… but if we’re going to have anything important to say and engage our audiences in meaningful conversation, we as a community are going to have care a lot more about the details.&lt;/p&gt;
&lt;!--EndFragment--&gt;</description><link>http://convexity.tumblr.com/post/288446982</link><guid>http://convexity.tumblr.com/post/288446982</guid><pubDate>Thu, 17 Dec 2009 23:26:00 -0500</pubDate></item><item><title>Donald Judd, or Cheap Furniture? (Quiz)</title><description>&lt;a href="http://reverent.org/donald_judd_or_cheap_furniture.html"&gt;Donald Judd, or Cheap Furniture? (Quiz)&lt;/a&gt;</description><link>http://convexity.tumblr.com/post/286379897</link><guid>http://convexity.tumblr.com/post/286379897</guid><pubDate>Wed, 16 Dec 2009 14:02:33 -0500</pubDate></item><item><title>thissmellslike:

Anicka Yi &amp; Maggie PengShigenobu...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_kun9ynfzmg1qzz8xoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://thissmellslike.tumblr.com/post/283188826/anicka-yi-maggie-peng-shigenobu-twilight-this-is" target="_blank"&gt;thissmellslike&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;b&gt;Anicka Yi &amp; Maggie Peng&lt;br/&gt;&lt;i&gt;Shigenobu Twilight&lt;/i&gt;&lt;br/&gt;&lt;/b&gt;This is the first handcrafted scent by NY artist Anicka Yi and architect Maggie Peng. The fragrance is inspired by the Fusako Shigenobu, former leader of the Japanese Red Army, who was believed to be in exile in Lebanon for many years after orchestrating some of the group’s most political statements. Yi and Peng have chosen cedar wood as a central theme of this fragrance’s narrative, as cedar is highly regarded in Lebanon as a national emblem. The scent uses three different kinds of cedar wood as its base note, along with violet leaf and nutty heart notes, and top notes of yuzu, shiso leaf, and black pepper. The packaging for this hand-distilled fragrance is made of raw cedar wood, each bottle uniquely (and painstakingly) hand-cut by the creators in architectural geometry, encasing a 10ml glass bottle of liquid within. Shigenobu pics by &lt;a&gt;Noah Sheldon&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;via &lt;a href="http://www.oogaboogastore.com/shop/misc/detail/YiPeng-Shigenobu.html" target="_blank"&gt;Ooga Booga&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://convexity.tumblr.com/post/283189343</link><guid>http://convexity.tumblr.com/post/283189343</guid><pubDate>Mon, 14 Dec 2009 08:40:43 -0500</pubDate></item><item><title>In a twist of fate news update: Ron Arad may actually make it...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_ku6qgeQsss1qzy3bco1_r1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;In a twist of fate news update: Ron Arad may actually make it into my thesis… never in a million years did I see that coming. I’m not a huge fan of post-modern design, but maybe you’ll be as shocked as I am to discover his recent design for Kenzo limited edition fragrance on that is said to mimic the scent of marble on a woman’s skin is a well-designed multi-sensory experience. Ron Arad, are you going subtle on us? I’m shocked.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Unidentified Fragrance Object&lt;/i&gt; for Kenzo, packaging by Ron Arad, fragrance by Aurélien Guichard.&lt;/p&gt;
&lt;p&gt;For more info check out these links: &lt;a target="_blank" href="http://www.pinksith.com/2009/08/kenzo-ufo.html"&gt;1&lt;/a&gt;, &lt;a target="_blank" href="http://www.nstperfume.com/2009/09/15/kenzo-unidentified-fragrance-object-perfume-review/"&gt;2&lt;/a&gt;, and the &lt;a target="_blank" href="http://www.google.com/url?sa=t&amp;source=web&amp;ct=res&amp;cd=8&amp;ved=0CB4QFjAH&amp;url=http%3A%2F%2Fmoma.org%2Finteractives%2Fexhibitions%2F2009%2Fronarad%2Fcontent%2Fpdf%2FRon_Arad_checklist.pdf&amp;ei=m3caS__KB83ulAeL_7DvCQ&amp;usg=AFQjCNEX-8sYnfuXiSfDkVc_xIsdedbIaA&amp;sig2=rxARmlGqhpLa7u2IZbmGKw"&gt;checklist&lt;/a&gt; for the recent Ron Arad retrospective at MoMA curated by Paola Antonelli (August  2, 2009–October 19, 2009)&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/270383653</link><guid>http://convexity.tumblr.com/post/270383653</guid><pubDate>Sat, 05 Dec 2009 10:17:00 -0500</pubDate></item><item><title>Reason 10,006 to love New York City, because only here...</title><description>&lt;a href="http://www.nyms.org/"&gt;Reason 10,006 to love New York City, because only here...&lt;/a&gt;: &lt;p&gt;&lt;img src="http://nyms.org/images/trigons.jpg" height="387" width="576"/&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/269458077</link><guid>http://convexity.tumblr.com/post/269458077</guid><pubDate>Fri, 04 Dec 2009 16:56:00 -0500</pubDate></item><item><title>Mac Motorcycles (Fast Company)</title><description>&lt;a href="http://www.fastcompany.com/blog/cliff-kuang/design-innovation/now-thats-motorcycle"&gt;Mac Motorcycles (Fast Company)&lt;/a&gt;: &lt;p&gt;&lt;img src="http://farm3.static.flickr.com/2499/4146800637_cb28df9def_o.jpg" height="407" width="620"/&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/264326853</link><guid>http://convexity.tumblr.com/post/264326853</guid><pubDate>Mon, 30 Nov 2009 22:11:32 -0500</pubDate></item><item><title>East Village Pigeon Lady</title><description>&lt;iframe src="http://blip.tv/play/Ac+JIQI.html?p=1" width="400" height="249" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;East Village Pigeon Lady&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/264196858</link><guid>http://convexity.tumblr.com/post/264196858</guid><pubDate>Mon, 30 Nov 2009 20:39:00 -0500</pubDate></item><item><title>Creative Time publishes Summit speaker videos &amp; pictures.</title><description>&lt;a href="http://creativetime.org/programs/archive/2009/summit/media.html"&gt;Creative Time publishes Summit speaker videos &amp; pictures.&lt;/a&gt;: &lt;p&gt;&lt;img alt="click title for link!" src="http://farm3.static.flickr.com/2623/4046436131_92cb3d059a.jpg" height="333" width="500"/&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/257493366</link><guid>http://convexity.tumblr.com/post/257493366</guid><pubDate>Wed, 25 Nov 2009 18:49:23 -0500</pubDate></item><item><title>Rebecca Ward </title><description>&lt;a href="http://www.rebeccasward.com/installations.html"&gt;Rebecca Ward &lt;/a&gt;: &lt;p&gt;&lt;img src="http://www.rebeccasward.com/images/tape5/tape5_3.jpg" height="648" width="432"/&gt;&lt;/p&gt;</description><link>http://convexity.tumblr.com/post/254464447</link><guid>http://convexity.tumblr.com/post/254464447</guid><pubDate>Mon, 23 Nov 2009 11:29:48 -0500</pubDate></item></channel></rss>
